{"id":198,"date":"2023-11-02T01:06:12","date_gmt":"2023-11-02T00:06:12","guid":{"rendered":"https:\/\/curstud.hs-fhg2.geschichte.uni-frankfurt.de\/?page_id=198"},"modified":"2025-03-03T13:05:51","modified_gmt":"2025-03-03T12:05:51","slug":"guests","status":"publish","type":"page","link":"https:\/\/www.kuratierenundkritik.net\/en\/master-of-arts-program\/guests\/","title":{"rendered":"Guests"},"content":{"rendered":"<p>Each semester international curators and artists, exhibition architects, or graphic designers are invited to give lectures, attend the classes, or offer workshops on specific topics. Thus, the students are given insight into the different discourses and international discussions of their future professional field.<\/p>\n<p>Arhun Aksakal, Artist, Frankfurt<\/p>\n<p>Gleb Amankulov, Artist, Wien<\/p>\n<p>Rachel Ashton, Artist, Frankfurt<\/p>\n<p>James Gregory Atkinson, Artist<\/p>\n<p>Nana Oforiatta Ayim, Curator<\/p>\n<p>Fritz Backhaus, Deutsches Historisches Museum, Berlin<\/p>\n<p>Sammy Baloji, Photographer and Video Artist<\/p>\n<p>Anne-Marie Beckmann, Deutsche B\u00f6rse Photography Foundation, Frankfurt<\/p>\n<p>Nina Beitzen, architecture firm Kuehn Malvezzi, Berlin<\/p>\n<p>Jonathan Berger, Artist\/ Curator, New York<\/p>\n<p>Omar Berrada, The Cooper Union, New York<\/p>\n<p>Beatrice von Bismarck, Hochschule f\u00fcr Grafik und Buchkunst, Leipzig<\/p>\n<p>Ellen Blumenstein, Hafen City, Hamburg<\/p>\n<p>Zheng Bo, Artist, Hong Kong<\/p>\n<p>Anne-Marie Bonnet, Rheinische Friedrich-Wilhelms-Universit\u00e4t Bonn<\/p>\n<p>Sabine Breitwieser, Museum der Moderne, Salzburg<\/p>\n<p>Felix Br\u00f6cker, HfG Offenbach<\/p>\n<p>Julia Bryan-Wilson, University of California, Berkeley (SS 2018 Gastprofessur)<\/p>\n<p>Barbara Casavecchia (QuiS Program research visiting fellow 2023\/24)<\/p>\n<p>Carolyn Christov-Barkargiev (Gastprofessur SS 2013)<\/p>\n<p>Wolfgang Cille\u00dfen, Historisches Museum Frankfurt<\/p>\n<p>Barbara Clausen (Chillida-Gastprofessur SS 2023)<\/p>\n<p>Emanuele Coccia, \u00c9cole des Hautes \u00c9tudes en Sciences Sociales, Paris<\/p>\n<p>Zasha Colah, Curator of the 13th Berlin Biennale<\/p>\n<p>Cooking Sections, London<\/p>\n<p>Douglas Crimp, (1944\u20132019)<\/p>\n<p>Dieter Daniels, Hochschule f\u00fcr Grafik und Buchkunst, Leipzig<\/p>\n<p>Wouter Davidts (Chillida-Gastprofessur SS 2015)<\/p>\n<p>Cl\u00e9mentine Deliss, Associate Curator, KW Institute for Contemporary Art, Berlin (Gastprofessur WS 2022\/23)<\/p>\n<p>Thomas Demand, Artist, Los Angeles<\/p>\n<p>Ann Demeester, Director, Kunsthaus Z\u00fcrich<\/p>\n<p>Nuray Demir, Artist, Berlin<\/p>\n<p>Chris Dercon, General Director, Fondation Cartier pour l&#8217;art contemporain, Paris<\/p>\n<p>Emily Dietrich, Artist, Frankfurt<\/p>\n<p>G\u00fcrsoy Do\u011fta\u015f (QuiS Program research visiting fellow 2024\/25)<\/p>\n<p>Malin Dorn, Artist, Hamburg<\/p>\n<p>Sebastian Egenhofer, University of Vienna<\/p>\n<p>Rashiyah Elanga, Artist, Frankfurt<\/p>\n<p>Dietmar Elger, Gerhard Richter archive, Dresden<\/p>\n<p>Emma Enderby, Director KW Institute for Contemporary Art, Berlin<\/p>\n<p>Okwui Enwezor (1963\u20132019)<\/p>\n<p>Jaider Esbell, Artist (1979\u20132021)<\/p>\n<p>Charles Esche, Van Abbemuseum, Eindhoven<\/p>\n<p>Tim Etchells, Artist<\/p>\n<p>Christine Eyene, Art critic and curator, Liverpool<\/p>\n<p>Elena Filipovic, Kunsthalle Basel<\/p>\n<p>Andrea Fraser, Artist, New York<\/p>\n<p>Agnese Galiotto, Artist, Frankfurt<\/p>\n<p>Dario Gamboni, Universit\u00e9 de Gen\u00e8ve, Genf<\/p>\n<p>Thomas Geiger, Artist<\/p>\n<p>Jan Gerchow, Director Historisches Museum, Frankfurt (WS 2010\/11 bis SS 2024)<\/p>\n<p>Heike Gfrereis, University of Stuttgart, Deutsches Literaturarchiv Marbach<\/p>\n<p>Tornike Gognadze, Artist, Frankfurt<\/p>\n<p>Rita Gonzalez, Los Angeles County Museum of Art, Los Angeles<\/p>\n<p>Peter Gorschl\u00fcter, Museum Folkwang, Essen (WS 2010\/11 bis SS 2018 als stellvertretender Direktor des MMK)<\/p>\n<p>Tamara Grcic, Artist, Frankfurt<\/p>\n<p>Tim Griffin, The Kitchen, New York<\/p>\n<p>Ay\u015fe G\u00fcle\u00e7 (QuiS Program research visiting fellow 2021\/22)<\/p>\n<p>Lisa Gutscher, Artist, Frankfurt<\/p>\n<p>Zishi Han, Artist, Frankfurt<\/p>\n<p>Graham Hamilton, Artist New York<\/p>\n<p>Dorothea von Hantelmann, Bard College Berlin<\/p>\n<p>Anselm Haverkamp, New York University\/ University of Munich\/ Leuphana University L\u00fcneburg<\/p>\n<p>Michal Heiman, Artist<\/p>\n<p>J\u00f6rg Heiser, Berlin University of the Arts\/ Frieze Art Magazine, Berlin<\/p>\n<p>Nikolaus Hirsch, Artistic Director, CIVA, Brussels<\/p>\n<p>Ranjit Hoskot\u00e9, Author\/ Curator\/ Cultural journalist, Bombay<\/p>\n<p>Mustafa Shabbir Hussain, Curator, Singapure<\/p>\n<p>Ruth Iskin, Ben-Gurion University, Negev<\/p>\n<p>Ra\u00fal Itamar Lima, Artist, Frankfurt<\/p>\n<p>Swantje Karich, Welt, BLAU<\/p>\n<p>Udo Kittelmann, Artistic Director, Museum Frieder Burda, Baden-Baden<\/p>\n<p>Grada Kilomba, Artist and Writer, Berlin<\/p>\n<p>Charlotte Klonk, Humboldt University of Berlin<\/p>\n<p>Heinz Kohl, Ethnological Institute (WS 2010\/11 bis SS 2016)<\/p>\n<p>Kasper K\u00f6nig (1943-2024)<\/p>\n<p>Vasif Kortun, SALT, Istanbul<\/p>\n<p>Felix Kr\u00e4mer, Museum Kunstpalast, D\u00fcsseldorf<\/p>\n<p>Christian Kravagna, Academy of Fine Arts Vienna<\/p>\n<p>Anette Kruszynski, Kunstsammlung Nordrhein-Westfalen<\/p>\n<p>B\u00e4rbel K\u00fcster, University of Zurich<\/p>\n<p>Mahret Ifeoma Kupka, Curator, Museum Angewandte Kunst<\/p>\n<p>Zac Langdon-Pole, Artist, T\u0101maki Makaurau<\/p>\n<p>Lars Bang Larsen, Moderna Museet, Royal Art Academy, Stockholm<\/p>\n<p>Bruno Latour, M\u00e9dialab, Sciences Po, Paris<\/p>\n<p>Pamela M. Lee, Stanford University (Gastprofessur SS 2013)<\/p>\n<p>Yutie Lee, Artist, Taipei\/Munich<\/p>\n<p>Toon Le\u00ebn, Artist, Berlin<\/p>\n<p>Nicola Lepp, Fachhochschule Potsdam<\/p>\n<p>Catrin Lorch, S\u00fcddeutsche Zeitung<\/p>\n<p>Niklas Maak, FAZ, Kunstressort<\/p>\n<p>Paul Maenz, Gallery Owner\/ Art Collector, Berlin<\/p>\n<p>Kabelo Malatsie, Director, Kunsthalle Bern<\/p>\n<p>Suhail Malik, Goldsmiths University of London<\/p>\n<p>Lionel Manga, Writer and culture critic<\/p>\n<p>Vera Mey, Curator<\/p>\n<p>Andrea Meyer, Technische Universit\u00e4t Berlin<\/p>\n<p>Sohrab Mohebbi, Director, SculptureCenter, New York<\/p>\n<p>Morad Montazami, Art Historian, Publisher and Curator<\/p>\n<p>Rogine Moradi, Artist, Wien<\/p>\n<p>Markus M\u00fcller, Bureau M\u00fcller, Berlin<\/p>\n<p>Yvette Mutumba, Stedelijk Museum, Amsterdam<\/p>\n<p>Nina Nadig, Artist, Frankfurt<\/p>\n<p>Gabriel Naghmouchi, Artist, Paris<\/p>\n<p>Anna Michelle Nakhoul, Artist, Paris<\/p>\n<p>Bonaventure Soh Bejeng Ndikung, Savvy Contemporary (WS 2017\/18 bis SS 2019)<\/p>\n<p>Ruth Noack, Curator<\/p>\n<p>Kwasi Ohene-Ayeh, Artist\/ Curator, Kumasi (Ghana)<\/p>\n<p>Sophie von Olfers, Curator<\/p>\n<p>Paul O&#8217;Neill, Checkpoint Helsinki<\/p>\n<p>Anna Pazzoli, Artist, Frankfurt<\/p>\n<p>Gabriel P\u00e9rez-Barreiro, Director, Colecci\u00f3n Patricia Phelps de Cisneros, New York\/Caracas<\/p>\n<p>Christine Peters, Curator, Frankfurt<\/p>\n<p>Nata\u0161a Petre\u0161in-Bachelez, Curator, Paris<\/p>\n<p>Ingrid Pfeiffer, Schirn Kunsthalle, Frankfurt<\/p>\n<p>Lucia Pietroiusti, Curator, Serpentine Galleries, London<\/p>\n<p>Florencia Portocarrero, Curator, Lima<\/p>\n<p>Kolja Reichert, FAZ, Kunstressort<\/p>\n<p>Michael Riedel, Concept Artist, Frankfurt<\/p>\n<p>Dieter Roelstraete, University of Chicago, Curator at the Neubauer Collegium for Culture and Society, Chicago<\/p>\n<p>Stephanie Rosenthal, Director, Guggenheim Abu Dhabi<\/p>\n<p>Aneta Rostkowska, Temporary Gallery, K\u00f6ln<\/p>\n<p>Lynn Rother, Lichtenberg-Professor of Provenance Studies and Head of the Provenance Lab, Leuphana University<\/p>\n<p>Ruangrupa, Artist collective<\/p>\n<p>Tom\u00e1s Saraceno, Performance- and Installationartist, Berlin<\/p>\n<p>B\u00e9n\u00e9dicte Savoy, Technische Universit\u00e4t Berlin<\/p>\n<p>Nicolaus Schafhausen, Curator<\/p>\n<p>Fabian Sch\u00f6neich, Curator (WS 2014\/15 bis WS 2017\/18)<\/p>\n<p>Jamie Shi, Artist, Frankfurt<\/p>\n<p>Simon Shim-Sutcliffe, Artist, Frankfurt<\/p>\n<p>Robert Skwirblies, Technische Universit\u00e4t Berlin<\/p>\n<p>Dirk Snauwaert, WIELS, Br\u00fcssel<\/p>\n<p>Christian Spies, Cologne University<\/p>\n<p>Nora Sternfeld, University of Fine Arts Hamburg<\/p>\n<p>Ay\u015fe G\u00fcle\u00e7 (QuiS Program research visiting fellow 2021\/22)<\/p>\n<p>Adam Szymczyk, Art Critic\/ Curator<\/p>\n<p>David Teh, Curator\/ Associate Professor an der National University of Singapore<\/p>\n<p>Thomas Thiel, Museum f\u00fcr Gegenwartskunst, Siegen<\/p>\n<p>Wolfgang Tillmans, Artist, Berlin\/ London<\/p>\n<p>Nora Turato, Artist, Amsterdam<\/p>\n<p>Luc Tuymans, Artist, Antwerpen<\/p>\n<p>Tobias Vogt (Chillida-Gastprofessur SS 2018)<\/p>\n<p>Jochen Volz, Director, Pinacoteca de Estado de S\u00e3o Paulo, Brasil<\/p>\n<p>Julia Voss, Research Associate, Deutsches Historisches Museum, Berlin<\/p>\n<p>Marianne Wagner (Chillida-Gastprofessur SS 2020)<\/p>\n<p>Ian Waelder, Artist, Frankfurt<\/p>\n<p>Tristan Weddigen, University of Zurich, Bibliotheca Hertziana, Rom<\/p>\n<p>Markus Weisbeck, Bauhaus-Universit\u00e4t Weimar<\/p>\n<p>Mirjam Wenzel, J\u00fcdisches Museum, Frankfurt<\/p>\n<p>Dana Whabira, Njelele Art Station, Harare, Simbabwe<\/p>\n<p>Rein Wolfs, Stedelijk Museum, Amsterdam<\/p>\n<p>Jonathan Wood, Henry Moore Institute, Leeds (Chillida-Gastprofessur SS 2013)<\/p>\n<p>Brandon Wylie, Artist, Frankfurt<\/p>\n","protected":false},"excerpt":{"rendered":"Each semester international curators and artists, exhibition architects, or graphic designers are invited to give lectures, attend the classes, or offer workshops on specific topics. Thus, the students are given insight into the different discourses and international discussions of their future professional field. Arhun Aksakal, Artist, Frankfurt Gleb Amankulov, Artist, Wien Rachel Ashton, Artist, Frankfurt&#8230; <a class=\"view-article\" href=\"https:\/\/www.kuratierenundkritik.net\/en\/master-of-arts-program\/guests\/\">View Article<\/a>","protected":false},"author":1,"featured_media":0,"parent":190,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-standardkk.php","meta":{"footnotes":""},"class_list":["post-198","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kuratierenundkritik.net\/en\/wp-json\/wp\/v2\/pages\/198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kuratierenundkritik.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kuratierenundkritik.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kuratierenundkritik.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kuratierenundkritik.net\/en\/wp-json\/wp\/v2\/comments?post=198"}],"version-history":[{"count":9,"href":"https:\/\/www.kuratierenundkritik.net\/en\/wp-json\/wp\/v2\/pages\/198\/revisions"}],"predecessor-version":[{"id":1446,"href":"https:\/\/www.kuratierenundkritik.net\/en\/wp-json\/wp\/v2\/pages\/198\/revisions\/1446"}],"up":[{"embeddable":true,"href":"https:\/\/www.kuratierenundkritik.net\/en\/wp-json\/wp\/v2\/pages\/190"}],"wp:attachment":[{"href":"https:\/\/www.kuratierenundkritik.net\/en\/wp-json\/wp\/v2\/media?parent=198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}